Sara Rman: ZRCALJENJE BREZ KONCA

Sara Rman: 𝐙𝐫𝐜𝐚𝐥𝐣𝐞𝐧𝐣𝐞 𝐛𝐫𝐞𝐳 𝐤𝐨𝐧𝐜𝐚
3. 4.–26. 5. 2024
Stekleni atrij ljubljanske Mestne hiše
odprto vsak dan med 8. in 20. uro
odprtje razstave: sreda, 3. 4. 2024, ob 18. uri
Razstava 𝑍𝑟𝑐𝑎𝑙𝑗𝑒𝑛𝑗𝑒 𝑏𝑟𝑒𝑧 𝑘𝑜𝑛𝑐𝑎 govori o raziskovanju in strasti do svetlobe, brez katere ni mogoče oblikovati ne prostora ne časa. Gre za sintezo med fotografijo in kiparstvom, ki se v praksi močno prepletata. V projektu Sara Rman izhaja iz svoje dosedanje prakse, v kateri k delu pristopa neobremenjeno in z radovednostjo in v kateri se ukvarja predvsem z materialnostjo fotografskega nosilca podobe. Hkrati podobo reducira do točke, v kateri ostane le še material. Tega manipulira na različne načine – torej material zrcali samega sebe in s tem generira lastno podobo. Fotografskem mediju lastne materiale nadgrajuje z materiali, ki poudarjajo zgodbo o prepustnosti svetlobe, hkrati pa ravno snop svetlobe s senco ustvarja novo podobo.
Odbojne, vsrkavajoče in prepustne površine in strukture ustvarjajo nove podobe, pri čemer je zanimivo opazovati, kako se percepcija časa in prostora upočasni ali izgine, ko se gledalec zatopi v izbrano točko. Vsaka površina je refleksija časa, ki brez naše vednosti mineva pred našimi očmi.
Foto: Sara Rman
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Sara Rman: 𝐈𝐧𝐟𝐢𝐧𝐢𝐭𝐞 𝐌𝐢𝐫𝐫𝐨𝐫𝐢𝐧𝐠
3. 4.–26. 5. 2024
Glass Atrium, City Hall Ljubljana
opening hours: every day from 8 am. till 8 pm.
exhibition opening: Wednesday, 3 April 2024, 6 pm.
𝐼𝑛𝑓𝑖𝑛𝑖𝑡𝑒 𝑀𝑖𝑟𝑟𝑜𝑟𝑖𝑛𝑔 is an exhibition about the exploration of and passion for light, without which neither space nor time can be shaped. It is a synthesis between photography and sculpture, two forms of art that are strongly intertwined in practice. In the project, Sara Rman draws on her previous experience, approaching her work openly and with curiosity, being primarily concerned with the materiality of the photographic medium. In this context, the image is reduced to the point where only the material remains, only to be manipulated in different ways so that it mirrors itself, generating its own image. The materials inherent to the photographic medium are complemented with materials that highlight the notion of light transmission, while at the same time, beams of light casting shadows invariably create new images.
Reflective, absorbing and translucent surfaces and structures create new images, and it is interesting to observe how the perception of time and space slows down or disappears as the viewer focuses their gaze on a chosen point. Each surface is a reflection of time progressing before our eyes without our knowledge.

Photo: Sara Rman