Vitkar zavod: Na steลพaj zaprta vrata | 17. Klovnbuf festival

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๐•๐ข๐ญ๐ค๐š๐ซ ๐ณ๐š๐ฏ๐จ๐: ๐™‰๐™– ๐™จ๐™ฉ๐™š๐™ฏฬŒ๐™–๐™Ÿ ๐™ฏ๐™–๐™ฅ๐™ง๐™ฉ๐™– ๐™ซ๐™ง๐™–๐™ฉ๐™–
๐˜š๐˜ฐ๐˜ฅ๐˜ฐ๐˜ฃ๐˜ฏ๐˜ช ๐˜ฑ๐˜ญ๐˜ฆ๐˜ด ๐˜ช๐˜ฏ ๐˜ค๐˜ช๐˜ณ๐˜ฌ๐˜ถ๐˜ด

Da so druลพbeni odnosi v 21. stoletju preลกli meje ยปnormalnostiยซ, ni treba prav posebej poudarjati. Vpraลกanje ob tem je, ali jih lahko kljub temu osmislimo na naฤin, da znamo ลพiveti skupaj in delovati za skupni cilj, ter predvsem, ali to sploh iskreno ลพelimo. Ali premoremo dovolj zdravo druลพbeno jedro, ki bi znalo vzpostaviti nove druลพbene temelje? In ko v boju z okoljskimi ekstremi ยปsamozaลกฤitniลกkoยซ ravnanje narekuje beg ali umik v imenu varnosti, to obenem sproลพa obฤutke osamljenosti, izoliranosti in nemoฤi. Vse te spremembe narekujejo omejitve in prilagoditve, kar kaลพe na klic po novi ureditvi, samoorganiziranju v naฤine sobivanja, avtonomne cone in komune. Predstava Na steลพaj zaprta vrata vzpostavlja niz moลพnih predlogov in naฤinov, kako ob razliฤnih fiziฤnih omejitvah prostorov vseeno dosegati obฤutja svobode. Francoski pisatelj Jean-Paul Sartre v svojem delu Za zaprtimi vrati vzpostavlja temeljno premiso, da smo peklensko obsojeni drug na drugega. Predstava ลพe sama po sebi ponuja primer postapokaliptiฤnega interiera in eksteriera odra, ki ga naseli in v njem sobiva entiteta somiลกljenikov, odmaknjenih od zunanjega sveta. Ob tem navidezno in dejansko preizkuลกajo prestopanje meja ter se sooฤajo z omejitvami skozi razliฤne umetniลกke oblike. S svojo neposrednostjo ustvarjajo ลพanrski konglomerat, ki omogoฤa vzporedna branja osebnega in druลพbenega ter samosvojo interpretacijo vloge telesa v ยปnoviยซ druลพbeni realnosti.

๐ŸŽซ Cena vstopnic: 12 โ‚ฌ / 10 โ‚ฌ

Ideja in koreografija: ๐๐ซ๐š๐ง๐ค๐จ ๐๐จ๐ญ๐จ๐œฬŒ๐š๐ง
Soustvarjanje in ples: ๐€๐ง๐š๐ฆ๐š๐ซ๐ข๐š ๐๐š๐ ๐š๐ซ๐ข๐œฬ, ๐๐ซ๐š๐ง๐ค๐จ ๐๐จ๐ญ๐จ๐œฬŒ๐š๐ง, ๐‰๐š๐ง๐š ๐Œ๐ž๐ง๐ ๐ž๐ซ, ๐“๐š๐ฃ๐๐š ๐๐จ๐๐จ๐›๐ง๐ข๐ค, ๐“๐ข๐ง๐ข ๐‘๐จ๐ณ๐ฆ๐š๐ง, ๐•๐ž๐ซ๐จ๐ง๐ข๐ค๐š ๐•๐š๐ฅ๐๐žฬ๐ฌ
Avtor in izvajalec glasbe: ๐†๐จ๐ซ๐š๐ง ๐™๐š๐ฏ๐ซ๐ฌฬŒ๐ง๐ข๐ค
Oblikovanje zvoka: ๐๐ฅ๐š๐ณฬŒ ๐…๐ฅ๐ž๐ซ๐ข๐ง
Dramaturgija: ๐€๐ง๐๐ซ๐ž๐ฃ๐š ๐Š๐จ๐ฉ๐š๐œฬŒ
Oblikovanje svetlobe: ๐†๐ซ๐ž๐ ๐จ๐ซ ๐Š๐ฎ๐ก๐š๐ซ
Fotografije: ๐ƒ๐ซ๐š๐ ๐จ ๐•๐ข๐๐ž๐ฆ๐ฌฬŒ๐ž๐ค
Video: ๐๐ž๐ญ๐ซ๐š ๐‡๐ซ๐จ๐ฏ๐š๐ญ๐ข๐ง
Izvrลกni producent: ๐Œ๐จ๐ฃ๐œ๐š ๐”๐ฅ๐š๐ ๐š
Produkcija: ๐•๐ข๐ญ๐ค๐š๐ซ ๐ณ๐š๐ฏ๐จ๐

Veฤ na: http://vitkar.si/na-stezaj-zaprta-vrata/

โžก๏ธENG
๐•๐ข๐ญ๐ค๐š๐ซ: ๐˜ฟ๐™ค๐™ค๐™ง๐™จ ๐™ฌ๐™ž๐™™๐™š ๐™จ๐™๐™ช๐™ฉ
๐˜Š๐˜ฐ๐˜ฏ๐˜ต๐˜ฆ๐˜ฎ๐˜ฑ๐˜ฐ๐˜ณ๐˜ข๐˜ณ๐˜บ ๐˜ฅ๐˜ข๐˜ฏ๐˜ค๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ช๐˜ณ๐˜ค๐˜ถ๐˜ด ๐˜ด๐˜ฉ๐˜ฐ๐˜ธ

It goes without saying that social relations in the 21st century have passed the limits of "normality". The question is whether we can nevertheless make sense of them in a way that allows us to live together and work towards a common goal and, above all, whether we sincerely want to do so? Do we have a sufficiently healthy social core capable of establishing new social foundations? And when, in the face of environmental extremes, "self-protective" behaviour dictates flight in the name of security, this also triggers feelings of loneliness, isolation and helplessness. All these changes dictate limitations and adaptations, pointing to a call for a new order, for self-organisation into modes of coexistence, autonomous zones and communes. The performance Doors wide shut establishes a set of possible proposals and ways of achieving feelings of freedom in the face of various physical constraints of the spaces. In No Exit, the French writer Jean-Paul Sartre establishes the fundamental premise that we are hell-bent on mistreating each other. The performance itself offers an example of a post-apocalyptic interior and exterior off-stage, inhabited and cohabited by fellow human beings, disconnected from the outside world. In doing so, they seemingly and actually test the crossing of boundaries and confront limitations through different artistic forms. With their immediacy, they create a genre conglomerate that allows for parallel readings of the personal and the social, and original interpretation of the role of the body in the "new" social reality.

Idea and choreography: ๐๐ซ๐š๐ง๐ค๐จ ๐๐จ๐ญ๐จ๐œฬŒ๐š๐ง
Co-creation and dance: ๐€๐ง๐š๐ฆ๐š๐ซ๐ข๐š ๐๐š๐ ๐š๐ซ๐ข๐œฬ, ๐๐ซ๐š๐ง๐ค๐จ ๐๐จ๐ญ๐จ๐œฬŒ๐š๐ง, ๐‰๐š๐ง๐š ๐Œ๐ž๐ง๐ ๐ž๐ซ, ๐“๐š๐ฃ๐๐š ๐๐จ๐๐จ๐›๐ง๐ข๐ค, ๐“๐ข๐ง๐ข ๐‘๐จ๐ณ๐ฆ๐š๐ง, ๐•๐ž๐ซ๐จ๐ง๐ข๐ค๐š ๐•๐š๐ฅ๐๐žฬ๐ฌ
Music composition and performance: ๐†๐จ๐ซ๐š๐ง ๐™๐š๐ฏ๐ซ๐ฌฬŒ๐ง๐ข๐ค
Sound design: ๐๐ฅ๐š๐ณฬŒ ๐…๐ฅ๐ž๐ซ๐ข๐ง
Dramaturgy: ๐€๐ง๐๐ซ๐ž๐ฃ๐š ๐Š๐จ๐ฉ๐š๐œฬŒ
Lighting design: ๐†๐ซ๐ž๐ ๐จ๐ซ ๐Š๐ฎ๐ก๐š๐ซ
Photography: ๐ƒ๐ซ๐š๐ ๐จ ๐•๐ข๐๐ž๐ฆ๐ฌฬŒ๐ž๐ค
Video: ๐๐ž๐ญ๐ซ๐š ๐‡๐ซ๐จ๐ฏ๐š๐ญ๐ข๐ง
Executive Producer: ๐Œ๐จ๐ฃ๐œ๐š ๐”๐ฅ๐š๐ ๐š
Production: ๐•๐ข๐ญ๐ค๐š๐ซ ๐ˆ๐ง๐ฌ๐ญ๐ข๐ญ๐ฎ๐ญ๐ž

More on: http://vitkar.si/na-stezaj-zaprta-vrata/

***
๐˜—๐˜ณ๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฎ ๐˜ฑ๐˜ฐ๐˜ต๐˜ฆ๐˜ฌ๐˜ข ๐˜ท ๐˜ด๐˜ฌ๐˜ญ๐˜ฐ๐˜ฑ๐˜ถ ๐˜”๐˜ฆ๐˜ฅ๐˜ฏ๐˜ข๐˜ณ๐˜ฐ๐˜ฅ๐˜ฏ๐˜ฆ๐˜จ๐˜ข ๐˜ง๐˜ฆ๐˜ด๐˜ต๐˜ช๐˜ท๐˜ข๐˜ญ๐˜ข ๐˜ด๐˜ฐ๐˜ฅ๐˜ฐ๐˜ฃ๐˜ฏ๐˜ฆ ๐˜ฌ๐˜ญ๐˜ฐ๐˜ท๐˜ฏ๐˜ข๐˜ฅ๐˜ฆ ๐˜ช๐˜ฏ ๐˜ฏ๐˜ฐ๐˜ท๐˜ฆ๐˜จ๐˜ข ๐˜ค๐˜ช๐˜ณ๐˜ฌ๐˜ถ๐˜ด๐˜ข ๐˜’๐˜ญ๐˜ฐ๐˜ท๐˜ฏ๐˜ฃ๐˜ถ๐˜ง, ๐˜ฌ๐˜ช ๐˜จ๐˜ข ๐˜ฐ๐˜ณ๐˜จ๐˜ข๐˜ฏ๐˜ช๐˜ป๐˜ช๐˜ณ๐˜ข ๐˜ก๐˜ข๐˜ท๐˜ฐ๐˜ฅ ๐˜‰๐˜ถ๐˜ง๐˜ฆ๐˜ต๐˜ฐ. / ๐˜—๐˜ณ๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฎ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ณ๐˜ข๐˜ฎ๐˜ฆ ๐˜ฐ๐˜ง ๐˜๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ฏ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ข๐˜ญ ๐˜๐˜ฆ๐˜ด๐˜ต๐˜ช๐˜ท๐˜ข๐˜ญ ๐˜ฐ๐˜ง ๐˜Š๐˜ฐ๐˜ฏ๐˜ต๐˜ฆ๐˜ฎ๐˜ฑ๐˜ฐ๐˜ณ๐˜ข๐˜ณ๐˜บ ๐˜Š๐˜ญ๐˜ฐ๐˜ธ๐˜ฏ ๐˜ข๐˜ฏ๐˜ฅ ๐˜•๐˜ฆ๐˜ธ ๐˜Š๐˜ช๐˜ณ๐˜ค๐˜ถ๐˜ด ๐˜’๐˜ญ๐˜ฐ๐˜ท๐˜ฏ๐˜ฃ๐˜ถ๐˜ง ๐˜ฐ๐˜ณ๐˜จ๐˜ข๐˜ฏ๐˜ช๐˜ด๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜ก๐˜ข๐˜ท๐˜ฐ๐˜ฅ ๐˜‰๐˜ถ๐˜ง๐˜ฆ๐˜ต๐˜ฐ.

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